It is such compact week to make preparatory work for the London show, teeming with those unfettered refinement of the shoes’ installation per se. the installation straddles facets that should be conceived toward a strenuous state as all the technical factors associated are potent and lethal to the holistic effect and feasibility of the installation.Continue reading “the Work in Progress 5 of SIP WORK NUMBER 24: Screaming shoes: compositional concerns and necessity to revamp; Essay schema thinking of topics”
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SIP WORK NUMBER 24: screaming shoes project: Contextual practice outcomes, hindsight, and situational certain in theoretical manner (Conundrum in Gallery space)
The photographs aligned with the main metallic sculptures of shoes portrayed the fallouts of my contextual practice of the screaming shoes as I placed them in eclectic backdrops which are expeditious and particular within their own meanings to bawl. The suspension in those domestic contexts subsuming the toilet, living room, study table and bathroom inContinue reading “SIP WORK NUMBER 24: screaming shoes project: Contextual practice outcomes, hindsight, and situational certain in theoretical manner (Conundrum in Gallery space)”
Idea interpretation and execution 3: Screaming Shoes SIP WORK NUMBER 24: why to scream (Work in Progress)
Imbued with the preparatory trajectory for the forthcoming London show fortnight later, my incremental professing on those shoes’ screaming made me ebullient with the working progression. The Photograph outcomes for the display grow the forefront of the contextual playing of the screaming per se, as the context to scream within by those shoes is ableContinue reading “Idea interpretation and execution 3: Screaming Shoes SIP WORK NUMBER 24: why to scream (Work in Progress)”
The idea execution and interpretation 2 of the SIP WORK NUMBER 24: Screaming (Shoes): Contextual playing in the public site
It is the infatuation toward the making of the shoes ‘Screaming’ Project initiated as a part of the Self-initiated project enumerated as 24. After the curative practice of the first installation made in the project space for the group crit show in 11/02/20 which I suspended those reframed shoes underlain with those united black chairsContinue reading “The idea execution and interpretation 2 of the SIP WORK NUMBER 24: Screaming (Shoes): Contextual playing in the public site”
London performance of ‘Come from Wuhan’, Experiential reflection, idea interpretation and execution 2
It has been much more visceral to perform the work ‘Come from Wuhan’ in the London alongside to those derisory reactions rendered by the audiences. Almost everyone either detoured from me or neglected me, and some of the bystanders even interacted with me in means. There are few pungent communications triggered during the performance inContinue reading “London performance of ‘Come from Wuhan’, Experiential reflection, idea interpretation and execution 2”
The Main idea interpretation of the Film space project (Spatial practice 3): Private and public space: Situation: Flying Listen
It was an epiphany toward its ideation while I reclined on the seat of flight back to the England. The sedentary situation made me fatiguing and paralyzed, as I contemplated to the light of the frontal lavatory converting between red and green, protuberant from the environmental lighting hue of purple. The concept of such areaContinue reading “The Main idea interpretation of the Film space project (Spatial practice 3): Private and public space: Situation: Flying Listen”
SIP Work Number 24 idea interpretation 1: Curative practice 3, photographed for imminent London Show
The forthcoming London show makes me manic and jittery. As with much of the works that I have already made during the BA Fine Art Journey, I should be slack to chose a outstanding piece to display, yet I rather render the credence to myself for the envisioned work enumerated as Self-initiated project work numberContinue reading “SIP Work Number 24 idea interpretation 1: Curative practice 3, photographed for imminent London Show”
Idea Organization of oncoming three exhibition curation and Essay writing (Materiality)
It is an entropy, making me ambivalent and sluggish. There are totally three forthcoming exhibitions that we have to curate our works on, which makes the way sinuous. I am very evasive about the three different pieces to show in those displays. The London show which originally seems far afield, yet even now precedes theContinue reading “Idea Organization of oncoming three exhibition curation and Essay writing (Materiality)”
Idea of the risk assessment project interpretation and rumination: Morgan: Signature requirement （Letter To the Course leader for the signature part on the risk assessment form）
Hello Greig, This is Morgan as I want to interpret my idea about the risk assessment project I mentioned today toward the requirement of the signature. I plan to assess many daily activities’ risk even we do it every moment in the daily life, including the assessment idea of the drinking of the water IContinue reading “Idea of the risk assessment project interpretation and rumination: Morgan: Signature requirement （Letter To the Course leader for the signature part on the risk assessment form）”
SIP WORK NUMBER 20: Performance art: Come From WUHAN: Idea Interpretation 1: Boundary between life, death and Absurdity
Regarding to the concept of the SIP Work Number 20 associated with the performance entitled: Come from Wuhan, there are aspects I hanker to mention to both making self-critique and hindsight of the performing itself. Dominantly inspired by the Tutorial today with a MA student from Royal Collage of the Art, as we had aContinue reading “SIP WORK NUMBER 20: Performance art: Come From WUHAN: Idea Interpretation 1: Boundary between life, death and Absurdity”
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