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In respect of the epilogue of the SIP WORK NUMBER 32 as it has been finalized for a week, this interpretation writing is postponed for a week as well. It is the alternative vantage point as in the end I curated in that compact space of the quarantine to achieve the response spatially with myContinue reading “The Final idea interpretation of the SIP WORK NUMBER 32: QUARANTINE: A Exhibition Never able to Visit”

It is the improvising experience to make the one-day project accordance with the two sentences commission: Do not stay outside over an hour and Stay 2 meters apart from something. Invoking my individual memory to write a short seminar within the given sentences in the official task rendered when I was in the secondary school,Continue reading “The idea interpretation 3 of the SIP WORK NUMBER 32: ONE DAY PROJECT IN TWO SENTENCES COMMSION”

Segueing with my utterance in the former blog associated with my perceptual dissection of the thermometer as an icon, signifying countless aspects not only pertained to torso per se but also bridging with the quarantine context, the confined room, daily activities and the like as the assembling expression indeed in my 14 days performance piece.Continue reading “The idea interpretation of the SIP WORK NUMBER 32:Quarantine:Thermometer drawing, performance and sculpture: Chance”

It has been the seven day of the Quarantine after I arrived at China. The experience to encounter with such societal shift is outrageous as even there is more pressure befallen from other circumstances. It is such usurped space to confine every activity per diem, as it is bizarre to fulfill the daily life palpablyContinue reading “The Idea interpretation of the SIP WORK NUMBER 32: Quarantine: Thermometer”

I have been China for days within the confined purview of the quarantine. The last place I cherish is the Casting workshop, the last project in that workbench, being the casting of a shoe. This shoe, as the remnant from the SIP WORK NUMBER 24 the shoes screaming project, as inspired by Richard Whiteread’s castingContinue reading “SIP Work Number 28: Shoe casting: Idea Interpretation”

Segueing with the former writing indissociable with the development of the SIP WORK number 25 within the casting of the Puzzle piece, aligned with final curation of the sculptural approach on this piece containing those aforementioned three parts to form the installation, the curation of the Metal workshop project and the SIP Work number 27Continue reading “Final Studio Curation execution interpretation: 1. SIP Work Number 27 Gallery contextual performance, 2. Metal workshop project: Energy in Chain”

It is quite a procrastinated writing to expound my further execution for the SIP Work number 25 as I later cast and curate the piece to finalize it in the studio project space. Marvelous to depict such progression as I am currently in the quarantine because of the coronavirus crisis. The curative practice attained atContinue reading “SIP work number 25 Idea interpretation 2: performance, and curation Puzzling.”

It is such unique experience reverting back to China because of the dispensation of the coronavirus, while it simultaneously renders opportunities for my performative practice on the everyday project. There are countless ideas initiated during the itinerant, proceeding my contemporary art practice in such idiosyncratic context of the dissemination of the virus, as even myContinue reading “The IDEA INTERPRETATION AND THE HINDSIGHT OF THE SIP WORK NUMBER 21 PERFORMANCE:Still Walker”

The second curative practice for the wood print workshop project, as the aftermath and the amelioration of the Potluck curation project. I revamp and enlarge the scale of the curation from that narrow corridor to the project space in the studio, able to expose all of my pieces in the project out concomitantly as aContinue reading “Curative practice 2 Wood Prints Workshop, Main Solo Curation in project Space”

The First experimental curation of the wood prints workshop project in the ‘Potluck’ project is quite auspicious to some extent, underlying for the further curative practice of all the pieces of the project including the colored prints, plaster and wax prints and the table performance trajectory objects. I place even the wood waste scraps fromContinue reading “The idea interpretation 5 of the Wood Print Workshop Project: Holistic concept in adumbrate and The curative practices”